Note: LOST & FOUND will be the first programme in 2019 .
Other programmes are in preparation and for private concerts (see Private Concerts) programmes can be adjusted to suit.
Other programmes are in preparation and for private concerts (see Private Concerts) programmes can be adjusted to suit.
CUPID’S ARROWS
Echoes of Love
Music from Bach to the Beatles
Rita Paczian – mezzo & harpsichord
John Green – baroque oboe
Polly Sussex – baroque cello
Angelo LIGNANI (1654 – 1728) (attrib.)
Love Cantata Chi sà dove è la speranza for mezzo, oboe and harpsichord
Aria (Adagio), Recitativo, Aria (Allegro)
George HANDEL (1685 – 1759)
Sonata in D minor, Op. 1 No. 2 (excerpts) for oboe & harpsichord
Larghetto, Presto
George HANDEL (1685 - 1759)
Lascia ch’io pianga from the opera Rinaldo arr. for soprano, oboe, cello
& harpsichord
Giovanni PLATTI (1697 – 1763)
Sonata (Trio) in G minor (excerpts) for oboe, cello and basso continuo
Adagio (Siciliana), Allegro
Giuseppe ALDROVANDINI (1665 – 1707)
Love Cantata Son ferito d’un labro di ciglio for mezzo, oboe & continuo
Aria, Recit, Aria
INTERVAL
Angelo Domenico LIGNANI (1654 – 1728) (attrib.)
Cantata Chi sà dove è speranza for soprano, oboe and continuo
Aria (Adagio), Recitativo, Aria (Allegro)
Benedetto MARCELLO (1686 - 1739)
Sonata in G major for cello and harpsichord
Andante, Allegro, Grave, Allegro
Giuseppe Antonio ALDROVANDINI (1665 – 1707)
Cantata Son ferito d’un labro di ciglio for soprano, oboe and basso continuo
Aria, Recit, AriaI
Echoes of Love
Music from Bach to the Beatles
Rita Paczian – mezzo & harpsichord
John Green – baroque oboe
Polly Sussex – baroque cello
Angelo LIGNANI (1654 – 1728) (attrib.)
Love Cantata Chi sà dove è la speranza for mezzo, oboe and harpsichord
Aria (Adagio), Recitativo, Aria (Allegro)
George HANDEL (1685 – 1759)
Sonata in D minor, Op. 1 No. 2 (excerpts) for oboe & harpsichord
Larghetto, Presto
George HANDEL (1685 - 1759)
Lascia ch’io pianga from the opera Rinaldo arr. for soprano, oboe, cello
& harpsichord
Giovanni PLATTI (1697 – 1763)
Sonata (Trio) in G minor (excerpts) for oboe, cello and basso continuo
Adagio (Siciliana), Allegro
Giuseppe ALDROVANDINI (1665 – 1707)
Love Cantata Son ferito d’un labro di ciglio for mezzo, oboe & continuo
Aria, Recit, Aria
INTERVAL
Angelo Domenico LIGNANI (1654 – 1728) (attrib.)
Cantata Chi sà dove è speranza for soprano, oboe and continuo
Aria (Adagio), Recitativo, Aria (Allegro)
Benedetto MARCELLO (1686 - 1739)
Sonata in G major for cello and harpsichord
Andante, Allegro, Grave, Allegro
Giuseppe Antonio ALDROVANDINI (1665 – 1707)
Cantata Son ferito d’un labro di ciglio for soprano, oboe and basso continuo
Aria, Recit, AriaI
LOST AND FOUND
Rediscovered Baroque Masterworks
Rita Paczian – mezzo & harpsichord
John Green – baroque oboe
Polly Sussex – baroque cello & gamba
Angelo LIGNANI (attrib.) (1742 – 1803)
Cantata Chi sà dove è la speranza for soprano, oboe and continuo
Aria (Adagio), Recit, Aria (Allegro)
Salvatore LANZETTI (1710 – 1780)
Sonata in G major (excerpts) for cello and basso continuo
Andante, Allegro
Johann HEINICHEN (1683 – 1729)
Sonata in G Minor for oboe and continuo
Largo, Allegro, Lamentabile et appogiato, Allegro
Nicolas BERNIER (1664 – 1734)
Cantata Le Caffe (excerpts) for soprano, oboe and continuo
Prelude, Recit, Aria, Recit, Aria
INTERVAL
Francesco MANCINI (1672 – 1737)
Aria from the Love Cantata Quanto dolce è quell’adore for mezzo, oboe
& continuo
Antonio VIVALDI (1678 - 1741)
Aria Domine Deus, Rex coelestis from the Gloria in D, for soprano,
oboe & continuo
Johann Sebastian BACH (1685 - 1750)
Sarabande and Bourrees 1 & 2 from the Suite in E flat Major for solo cello
Astor PIAZZOLLA (1921 - 1992)
Oblivion for oboe & harpsichord
The BEATLES (arr. Parker/Paczian)
1. Yesterday
2. When I am 64
for mezzo, oboe cello & harpsichord
Rediscovered Baroque Masterworks
Rita Paczian – mezzo & harpsichord
John Green – baroque oboe
Polly Sussex – baroque cello & gamba
Angelo LIGNANI (attrib.) (1742 – 1803)
Cantata Chi sà dove è la speranza for soprano, oboe and continuo
Aria (Adagio), Recit, Aria (Allegro)
Salvatore LANZETTI (1710 – 1780)
Sonata in G major (excerpts) for cello and basso continuo
Andante, Allegro
Johann HEINICHEN (1683 – 1729)
Sonata in G Minor for oboe and continuo
Largo, Allegro, Lamentabile et appogiato, Allegro
Nicolas BERNIER (1664 – 1734)
Cantata Le Caffe (excerpts) for soprano, oboe and continuo
Prelude, Recit, Aria, Recit, Aria
INTERVAL
Francesco MANCINI (1672 – 1737)
Aria from the Love Cantata Quanto dolce è quell’adore for mezzo, oboe
& continuo
Antonio VIVALDI (1678 - 1741)
Aria Domine Deus, Rex coelestis from the Gloria in D, for soprano,
oboe & continuo
Johann Sebastian BACH (1685 - 1750)
Sarabande and Bourrees 1 & 2 from the Suite in E flat Major for solo cello
Astor PIAZZOLLA (1921 - 1992)
Oblivion for oboe & harpsichord
The BEATLES (arr. Parker/Paczian)
1. Yesterday
2. When I am 64
for mezzo, oboe cello & harpsichord
DELIGHTS OF THE SOUL
GERMAN HIGH BAROQUE MUSIC
Bach, Handel, Telemann & Heinichen
Rita Paczian – mezzo & harpsichord
John Green – baroque oboe & oboe d'amore
Polly Sussex – baroque cello & gamba
Georg Phillip TELEMANN (1681 – 1767)
Triosonata in C Minor (TWV 42:c5) for oboe, gamba and basso continuo
Allegro, Soave, Presto
George Frideric HANDEL (1685 – 1759)
Aria Süsse Stille, Sanfte Quelle (HWV 205), from Nine German Arias, for mezzo, treble viol & continuo
Johann Sebastian BACH (1685 – 1750)
Prelude & Fugue in C Major (BWV 846), from Book 1 of The Well Tempered Clavier for harpsichord solo
Johann David HEINICHEN (1683 – 1729)
Concerto (Quadro) in G major (S. 220) for oboe, cello and harpsichord
Andante, Vivace, Adagio, Allegro
INTERVAL
Georg Phillip TELEMANN (1681 – 1767)
Siciliana for oboe d’amore, from Concerto in A Major (TWV 51:A2)
Johann Sebastian BACH (1685 – 1750)
Aria Treues Echo (from Cantata 213) for alto, oboe d’amore and continuo
Georg Phillip TELEMANN (1681 – 1767)
Fantasia No. 11 in D Minor (TWV 40:36 ) for unaccompanied bass viol
Allegro, Grave, Allegro
George Frideric HANDEL (1685 – 1759) (realization by Luca Guglielmi)
Cantata Venus and Adonis (HWV 85) for mezzo, oboe and basso continuo
Recit, Aria, Recit, Aria
GERMAN HIGH BAROQUE MUSIC
Bach, Handel, Telemann & Heinichen
Rita Paczian – mezzo & harpsichord
John Green – baroque oboe & oboe d'amore
Polly Sussex – baroque cello & gamba
Georg Phillip TELEMANN (1681 – 1767)
Triosonata in C Minor (TWV 42:c5) for oboe, gamba and basso continuo
Allegro, Soave, Presto
George Frideric HANDEL (1685 – 1759)
Aria Süsse Stille, Sanfte Quelle (HWV 205), from Nine German Arias, for mezzo, treble viol & continuo
Johann Sebastian BACH (1685 – 1750)
Prelude & Fugue in C Major (BWV 846), from Book 1 of The Well Tempered Clavier for harpsichord solo
Johann David HEINICHEN (1683 – 1729)
Concerto (Quadro) in G major (S. 220) for oboe, cello and harpsichord
Andante, Vivace, Adagio, Allegro
INTERVAL
Georg Phillip TELEMANN (1681 – 1767)
Siciliana for oboe d’amore, from Concerto in A Major (TWV 51:A2)
Johann Sebastian BACH (1685 – 1750)
Aria Treues Echo (from Cantata 213) for alto, oboe d’amore and continuo
Georg Phillip TELEMANN (1681 – 1767)
Fantasia No. 11 in D Minor (TWV 40:36 ) for unaccompanied bass viol
Allegro, Grave, Allegro
George Frideric HANDEL (1685 – 1759) (realization by Luca Guglielmi)
Cantata Venus and Adonis (HWV 85) for mezzo, oboe and basso continuo
Recit, Aria, Recit, Aria
CUPID’S ARROWS
Italian Love Cantatas
Rita Paczian – mezzo & harpsichord
John Green – baroque oboe
Polly Sussex – baroque cello
Antonio LOTTI (1666 – 1740)
Cantata Ti sento o Dio bendato for soprano, oboe and basso continuo
Aria (Largo), Recitativo, Arioso, Aria (Cantabile)
George Frideric HANDEL (1685 – 1759)
Sonata in D minor, Op. 1 No. 2, for oboe and basso continuo
Larghetto, Andante, Adagio, Presto
Francesco MANCINI (1672 – 1737)
Cantata Quanto dolce è quell’adore for soprano, oboe and basso continuo
Aria (Largo), Recitativ, Aria (Allegro)
INTERVAL
Angelo Domenico LIGNANI (1654 – 1728) (attrib.)
Cantata Chi sà dove è speranza for soprano, oboe and continuo
Aria (Adagio), Recitativo, Aria (Allegro)
Benedetto MARCELLO (1686 - 1739)
Sonata in G major for cello and harpsichord
Andante, Allegro, Grave, Allegro
Giuseppe Antonio ALDROVANDINI (1665 – 1707)
Cantata Son ferito d’un labro di ciglio for soprano, oboe and basso continuo
Aria, Recit, AriaI
Italian Love Cantatas
Rita Paczian – mezzo & harpsichord
John Green – baroque oboe
Polly Sussex – baroque cello
Antonio LOTTI (1666 – 1740)
Cantata Ti sento o Dio bendato for soprano, oboe and basso continuo
Aria (Largo), Recitativo, Arioso, Aria (Cantabile)
George Frideric HANDEL (1685 – 1759)
Sonata in D minor, Op. 1 No. 2, for oboe and basso continuo
Larghetto, Andante, Adagio, Presto
Francesco MANCINI (1672 – 1737)
Cantata Quanto dolce è quell’adore for soprano, oboe and basso continuo
Aria (Largo), Recitativ, Aria (Allegro)
INTERVAL
Angelo Domenico LIGNANI (1654 – 1728) (attrib.)
Cantata Chi sà dove è speranza for soprano, oboe and continuo
Aria (Adagio), Recitativo, Aria (Allegro)
Benedetto MARCELLO (1686 - 1739)
Sonata in G major for cello and harpsichord
Andante, Allegro, Grave, Allegro
Giuseppe Antonio ALDROVANDINI (1665 – 1707)
Cantata Son ferito d’un labro di ciglio for soprano, oboe and basso continuo
Aria, Recit, AriaI
IMPORTED FROM ITALY
Italian Music that Captivated Baroque Europe
Rita Paczian – mezzo & harpsichord
John Green – baroque oboe
Polly Sussex – baroque cello & gamba
Giovanni PLATTI (1697 – 1763)
Sonata (trio) in G minor for oboe, violoncello and basso continuo
Adagio (Siciliana), Allegro, Adagio, Allegro
George Frideric HANDEL (1685 – 1759)
Ombra mai fu from Serse for mezzo and continuo
Francesco BARSANTI (1690 – 1770)
Collection of Old Scots Tunes (excerpts) for oboe and basso continuo
Alessandro SCARLATTI (1660 – 1725) (attrib.)
Cantata A dolce vendetta for soprano, oboe and continuo
Aria, Recitativo, Aria, Aria
INTERVAL
Johann HEINICHEN (1683 – 1729)
Sonata a 3 in C minor for oboe, viola da gamba and basso continuo
Affetuoso, Allegro, Adagio, Vivace
Giuseppe VALENTINI (1681 – 1753)
Sonata in A flat major, for cello and basso continuo
Largo, Allegro, Grave, Allegro
Agostino STEFFANI (1654 – 1728)
Cantata Spezza, Amor, l’arco for soprano, oboe, cello and continuo
Aria, Recit, Aria, Recit, Aria
Italian Music that Captivated Baroque Europe
Rita Paczian – mezzo & harpsichord
John Green – baroque oboe
Polly Sussex – baroque cello & gamba
Giovanni PLATTI (1697 – 1763)
Sonata (trio) in G minor for oboe, violoncello and basso continuo
Adagio (Siciliana), Allegro, Adagio, Allegro
George Frideric HANDEL (1685 – 1759)
Ombra mai fu from Serse for mezzo and continuo
Francesco BARSANTI (1690 – 1770)
Collection of Old Scots Tunes (excerpts) for oboe and basso continuo
Alessandro SCARLATTI (1660 – 1725) (attrib.)
Cantata A dolce vendetta for soprano, oboe and continuo
Aria, Recitativo, Aria, Aria
INTERVAL
Johann HEINICHEN (1683 – 1729)
Sonata a 3 in C minor for oboe, viola da gamba and basso continuo
Affetuoso, Allegro, Adagio, Vivace
Giuseppe VALENTINI (1681 – 1753)
Sonata in A flat major, for cello and basso continuo
Largo, Allegro, Grave, Allegro
Agostino STEFFANI (1654 – 1728)
Cantata Spezza, Amor, l’arco for soprano, oboe, cello and continuo
Aria, Recit, Aria, Recit, Aria
